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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
opera
Emnetal
78.81:2 (Operaer, syngespil, operetter, revyer, skuespilmusik m.v.)
Bidrag af
Beskrivelse
Indspillet i Warszawa 2023...
Forlag
Parlophone RecordsWarner ClassicsErato
Målgruppe
voksenmaterialer
Anmeldelser
Fono Forum, 2024 Mai
Vurdering: 4/5
Klassisk, 2024, nr. 73
"Den breakdansende polske kontratenor Jakub Józef Orliński ikke bare indtager titelpartiet på denne nye indspilning, men er også producent, casting director og kunstnerisk leder (sammen med Stefan Plewniak, der dirigerer) ... Sopranerne Elsa Dreisig og Fatma Said medvirker også på denne udgivelse"
BBC music magazine, 2024 June
"Opera choice: Orliński is the mastermind behind the recording, made in his native Poland with a Polish orchestra and chorus. Credited as artistic director, he also sings the role of Orfeo with searing intensity, every phrase taking us on a rollercoaster ride from hope to despair and back ... French-Danish soprano Elsa Dreisig is a wonderfull feisty Euridice ... It all ends happily in this 1762 first version of Gluck's opera ... A fresh, lively and surely definitive recording of a time-honoured story"
The gramophone, 2024 July
"It is clear from his introductory note in the booklet that the movind spirit behing this recording is Jakub Józef Orliński ... The result is a fine account of Gluck's opera in the original version of 1762 ... Orliński's countertenor is well suited to the role Orfeo. The sweetnes of his tone, smooth across his entire compass, is apparent from his first aria ... Elsa Dreisig is a strong Euridice, giving Orfeo a really hard time when she complains of his apparent coolness on their journey back from the Underworld ... The orchestra and 15-strong chorus of Il Giardino Amore play and sing beautifully, and Plewniak conducts with a sure hand"
MusicWeb international, 2024 May
"This new release, conducted by Stefan Plewniak, replaces Jacobs as my reference. The countertenor Jakub Józef Orliński, who exudes genuine passion without ever sounding exaggerated or striving for effect, portrays a lovelorn Orfeo ... Elsa Dreisig's fervid, beautiful 'Qual vita è questa mai - Che fiero momento!' leaves no doubt that Euridice's entreaties for Orfeo to look at her are irresistible. Fatma Said gives Amore a flirtatious, ingratiating personality ... The choir and orchestra of Il Giardino d'Amore, conducted by Plewniak, play and sing immaculately with panache and verve ... Orliński states that it has been his long-standing dream to record this role. This recording is a triumph for him and, taken as a whole, a standard against which other interpretations of Orfeo ed Euridice must be measured"
MusicWeb international, 2024 May